The lines running directly through the work are known as orriseegé or ’pathways’ and provide a compositional framework for the design. These are infilled with rows of chevrons, an arrowtip design considered to be the predominent artistic motif of Oro Province. It is most commonly featured on lime spatulas and headrests. Here Aspasia’s chevrons represent hurihuri’e - small Ömie mountains. The large zig-zagging lines represent dahoru’e - the design of the Ömie mountains. The smaller zig-zagging lines are buboriano’e - the design of the beak of Blyth’s Hornbill (Rhyticeros plicatus).
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