A Collection of Fine Papunya Tula Indigenous Art
ReDot Fine Art Gallery respects Indigenous communities and culture and advocates the practice of purchasing exclusively from community art centre organisations.
Indigenous and Torres Strait Islander viewers are advised that this publication may contain images, names, references and/or stories of deceased persons which may cause sadness or distress.
in collaboration with
presents
A Collection of Fine Papunya Tula Indigenous Art
23 Mar | 31 May 2024
The Papunya Tula Art Movement began in 1971 when a school teacher,
Geoffrey Bardon, encouraged some of the men to paint a blank school
wall.
The murals sparked off tremendous interest in the community and
soon many men started painting.
In 1972 the artists successfully established their own company.
The company is entirely owned and directed by traditional Aboriginal
people from the Western Desert, predominantly of the Luritja/Pintupi
language groups.
It has 49 shareholders and now represents around 120 artists.
The company derives its name from Papunya, a settlement 240km north-west of Alice Springs.
Papunya settlement was established as an administrative centre by the
government for the Aboriginal people who had moved in from the desert.
Since then many Pintupi and Luritja people have moved back to their
homelands and continue their strong ceremonial ties to the land.
Following the homelands movement of the 1980s, the company constructed studios in the newly established communities of Kintore and Kiwirrkura, extending operations into Western Australia as far as
700km west of Alice Springs.
The Papunya Tula painting style derives directly from the artists’
knowledge of traditional body and sand painting associated with
ceremony. Portraying these ancestral creation stories for the public
has required the removal of sacred symbols and the careful monitoring of
ancestral designs.
The work of the Papunya Tula artists is highly regarded around the world. The unmistakable and powerful style of the work has
resulted in the Papunya Tula artists being represented in most public
galleries, major museums, institutions and many large private
collections within Australia as well as overseas.
The aim of the company is to promote individual artists, provide
economic development for the communities to which they belong, and
assist in the maintenance of a rich cultural heritage.
Papunya Tula
"A meeting place for all brothers and cousins"
-Charlie Tarawa (Tjaruru)
Papunya Tula
"A meeting place for all brothers and cousins"
Charlie Tarawa (Tjaruru)
“The name 'Papunya Tula' was born
at a gathering with some painters
at Charley Creek in Alice Springs
in June 1972. I recall saying that
morning, "What do you want to call
the company?". With me were two
Pintupi men, Charlie Tarawa (Tjaruru)
and Mick Namerari Tjapaltjarri, and
one Anmatjira Aranda, Tim Leura.
Charlie Tarawa (Tjaruru) blurted out,
as if he'd known all his life, "Papunya
Tula"... Then I asked, "Does that keep
all the mobs happy?". Everyone said,
"Yes, yes, yes," that it did very much;
and that morning Papunya Tula
became a living idea, and everyone
was very happy.”
“The name 'Papunya Tula' was born
at a gathering with some painters
at Charley Creek in Alice Springs
in June 1972. I recall saying that
morning, "What do you want to call
the company?". With me were two
Pintupi men, Charlie Tarawa (Tjaruru)
and Mick Namerari Tjapaltjarri, and
one Anmatjira Aranda, Tim Leura.
Charlie Tarawa (Tjaruru) blurted out,
as if he'd known all his life, "Papunya
Tula"... Then I asked, "Does that keep
all the mobs happy?". Everyone said,
"Yes, yes, yes," that it did very much;
and that morning Papunya Tula
became a living idea, and everyone
was very happy.”
in collaboration with
Please send us a message if you have any questions about this exhibition.
CONTACT USThe ReDot Fine Art Gallery is always extremely proud to be able to welcome back the beautiful work(s) of Australia’s foremost Aboriginal art community, Papunya Tula Artists Pty Ltd. With the gallery now in its 20th year of operations, we looked back and reflected on our partnership with Papunya Tula and all the extraordinary exhibitions.
There have been 17 dedicated shows, some incredible solos thrown into the mix, with many works subsequently travelling to all four corners of the world and been exhibited in many museum shows in the process.
We marked the galleries 10th anniversary with a major show at ArtStage in Singapore, which opened the eyes of the Asian collector base to this movement and showcased works which now read like an almanac of Indigenous power and greatness.
This year we thought we would look back, and reflect, on these shows and many other events that included this colossal institution.
We have always been honoured to be Papunya Tula’s only official representative in Asia, not to mention one of literally only a handful globally.
So, Papunya Tula - Through the Years (1999-2017) showcases works from the last 20 years. Works in my collection, works never seen before and a sprinkling of other gems from our extensive stockroom. This show doesn’t exhaust our commitment to the community, search the website....
There are many many more...
Enjoy the selection, which is of the highest international standards, and be drawn into the link between land, spiritual being, and connectivity, teaching us of the ways of the oldest living culture on this planet.