Fate has painted an important design for the Dahorurajé clan, Avinö’e ohu’o jij’e - moon and moonlight. Fate’s sister Guo’ahörumö from old Sidonejo village (near Huvaimo and Mount Obo) painted this design. The designs comes from her father’s side, Bumagöse. This special design can also be traced back to Udu’a, Lokirro’s wife. Lokirro was Fate Savari’s father. The Dahorurajé clan story associated with the moon design can be read below.

The brilliance of this piece is in the bristles coming off the crescent designs. These are most likely emanating moonlight, however, Fate (and the Dahorurajé clan) paint the light the same way as the Dahorurajé clan design gori han’e - leaves of the fern. The phenomonological/macrocosmic becomes a microcosmic detail of the Omie’s rainforest environment—beautifully intertwined and inseparable.

THE OLD WOMAN WHO HUNG THE SUN AND MOON FROM THE TREE [1]

A long time ago there lived an old woman who had a large bilum [2] (woven string-bag). She carried the Sun, Moon and stars inside her bilum. She would pull the Sun out from her bilum and hang it high in the branch of a tree to bring the daylight. She would clear the bush from around the tree and the tree fork, keeping the area very clean. At the end of the day she would get the Sun and put it back inside her bilum. She would then take the Moon out from her bilum and hang it on the same tree branch, bringing the night. She took all the stars out from her bilum and spread them across the sky. One day a man saw the Sun. He started watching the Sun closely. As the Sun was rising, he followed it. He saw the old woman hanging the Sun and Moon and then hiding them inside her bilum. He said to himself, “Oh, that is what the old woman has been doing which brings the light and the darkness!” The man went home to his village and told the story to all the people. He explained to them how the old woman was looking after the Sun, Moon and stars and how that was her work. Everyone in the village had thought she was working in her food garden each day, but really she was clearing the bush to make space for the Sun and Moon to be seen clearly and to shine brightly in the sky.

Note [1]: Lila Warrimou & Rex Warrimou (Sabïo); orally translated by Alban Sare; transcribed by Brennan King at Savodobehi village, 2010.
Note [2]: In Ömie language, a large bilum is called a bojoy.

Fate has included three ‘artist signatures’ or ‘artist stamps’ on this drawing including:

~ The singular plant emblem with the leaves is the Dahorurajé clan design of varib’e, a small palm. This also originates from the old Sidonejo village.

~ The circle with the diagonal lines are ije bi’weje – boys cutting the leaves of a tree. Fate explains: “The mother was cleaning the bush to make a garden with her two young sons. The boys climbed a tree to cut all of the branches and leaves down. The branches fell down and the mother took all of the leaves and threw them away. Then the mother got plenty of bananas, taro and yam to plant in their newly cleared garden. When they finished planting all of the plants, they ate all of the food from the garden and lived a long life.”

~ The jubuje is an unidentified nocturnal marsupial animal (similar to a possum). They live on top of the mountain. Omie people use to eat jubuje. It can be found feeding on the fruit of the jari-han’e tree. Fate explains, “I am the Jubuje… be-cause I paint fast! … just like the Jubuje moves through the trees."