Artist | NURA RUPERT

Artist | NURA RUPERT



NURA RUPERT

Tjukula


NURA004-05
Acrylic on Canvas
80 x 30cm | 31.5 x 11.81in
Ernabella Artists

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NURA RUPERT

Walka Nyutitjara


NURA003-05
Acrylic on Canvas
50 x 70cm | 19.69 x 27.56in
Ernabella Artists

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NURA RUPERT

Piltati


NURA002-05
Acrylic on Canvas
40 x 30cm | 15.75 x 11.81in
Ernabella Artists

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NURA RUPERT

Tjukula Tjuta


NURA001-05
Acrylic on Canvas
40 x 30cm | 15.75 x 11.81in
Ernabella Artists

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As a young teenage girl, Nura learnt weaving at the craft room and also made hooked floor rugs, She knitted jumpers for the men at work.

She learnt wood carving (punu) and pokerwork making snakes, birds, tingka, wira, and rabbits.

It is thought she may also have dabbled in batik in her early days as an artist. When Ernabella Arts became involved in the Beanie Festival around 2000, Nura came back to the art centre initially to make mukata (beanies), but also became involved in the exploration of painting with acrylics on canvas or paper.

Now an elderly, senior woman, Nura began expressing stories from her childhood particularly concerning mamu (spooky spirits or monsters), which soon became her signature and has escalated her into becoming one of the region's most well-known artists.

She has applied her naïve, quirky style successfully to the mediums of painting, printmaking and occasionally ceramic decoration, endearing herself to art-lovers and collectors everywhere..



As a young teenage girl, Nura learnt weaving at the craft room and also made hooked floor rugs, She knitted jumpers for the men at work.

She learnt wood carving (punu) and pokerwork making snakes, birds, tingka, wira, and rabbits.

It is thought she may also have dabbled in batik in her early days as an artist. When Ernabella Arts became involved in the Beanie Festival around 2000, Nura came back to the art centre initially to make mukata (beanies), but also became involved in the exploration of painting with acrylics on canvas or paper.

Now an elderly, senior woman, Nura began expressing stories from her childhood particularly concerning mamu (spooky spirits or monsters), which soon became her signature and has escalated her into becoming one of the region's most well-known artists.

She has applied her naïve, quirky style successfully to the mediums of painting, printmaking and occasionally ceramic decoration, endearing herself to art-lovers and collectors everywhere..



Stock Room Show - 2012 (Part 2)

A Collection of Contemporary Modern Aboriginal Art


Stock Room Show - 2011

A Collection of Contemporary Modern Aboriginal Art


Stockroom Christmas Show 2010

Our Annual Christmas Stockroom Show, Showcasing Af…


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