![Australian Indigenous (Aboriginal and Torres Strait Islander) artwork by SHORTY JANGALA ROBERTSON of Warlukurlangu Artists (Yuendumu). The title is Ngapa Jukurrpa (Water Dreaming) - Puyurru. [4496/08] (Acrylic on Linen)](https://media.redotgallery.com/stockroom/gallery/n/ngapa-jukurrpa-water-dreaming-puyurru-654.jpg)
SHORTY JANGALA ROBERTSON (dec)
Ngapa Jukurrpa (Water Dreaming) - Puyurru
4496/08
Acrylic on Linen
182 x 61cm | 71.65 x 24.02in
Warlukurlangu Artists (Yuendumu)
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Shorty Jangala Robertson was born at Jila (Chilla Well), a large soakage and claypan north west of Yuendumu. He lived a nomadic hunter-gatherer lifestyle with his parents, older brother and extended Warlpiri family. They travelled vast distances across desert country, passing through Warlukurlangu, south west of Jila and Ngarlikurlangu, north of Yuendumu, visiting Jangala’s, his skin brothers.
His childhood memories consist of stories associated with the Coniston massacre of Aboriginal people and close to Jila, families were shot at Wantaparri. Shorty Jangala Robertson had virtually no contact with white fellas during his youth but remembers leaving Jila for Mt Theo ‘to hide’ from being shot. His father died at Mt Theo and then with his mother moved to Mt Doreen Station, and subsequently the new settlement of Yuendumu.
During World War II, the army took people from Yuendumu to the other Warlpiri settlement at Lajamanu. Shorty was taken and separated from his mother however she came to get him, on foot and together they travelled hundreds of miles back to Chilla Well. Drought, food and medical supplies forced Shorty and his family back to Yuendumu from time to time. His working life was full of adventure and hard work for different enterprises in the Alice Springs Yuendumu area. He finally settled at Yuendumu in 1967 after the Australian Citizen Referendum.
It is extraordinary in all his travels and jobs over his whole working life, that he escaped the burgeoning and flourishing Central Desert art movement of the 1970’s and 1980’s. Thus Shorty’s paintings are fresh, vigorous and new. His use of colour to paint and interpret his dreamings of Ngapa (Water), Watiyawarnu (Acacia), Yankirri (Emu) and Pamapardu (Flying Ant) is vital, yet upholding the Warlpiri tradition. This fledgling artist well in his 70’s is an active member of Warlukurlangu Co-operative. He lives at Yuendumu with his wife and artist Lady Nungarrayi Robertson.
His first solo exhibition in 2003 was met with great artistic acclaim.
Shorty Jangala Robertson was born at Jila (Chilla Well), a large soakage and claypan north west of Yuendumu. He lived a nomadic hunter-gatherer lifestyle with his parents, older brother and extended Warlpiri family. They travelled vast distances across desert country, passing through Warlukurlangu, south west of Jila and Ngarlikurlangu, north of Yuendumu, visiting Jangala’s, his skin brothers.
His childhood memories consist of stories associated with the Coniston massacre of Aboriginal people and close to Jila, families were shot at Wantaparri. Shorty Jangala Robertson had virtually no contact with white fellas during his youth but remembers leaving Jila for Mt Theo ‘to hide’ from being shot. His father died at Mt Theo and then with his mother moved to Mt Doreen Station, and subsequently the new settlement of Yuendumu.
During World War II, the army took people from Yuendumu to the other Warlpiri settlement at Lajamanu. Shorty was taken and separated from his mother however she came to get him, on foot and together they travelled hundreds of miles back to Chilla Well. Drought, food and medical supplies forced Shorty and his family back to Yuendumu from time to time. His working life was full of adventure and hard work for different enterprises in the Alice Springs Yuendumu area. He finally settled at Yuendumu in 1967 after the Australian Citizen Referendum.
It is extraordinary in all his travels and jobs over his whole working life, that he escaped the burgeoning and flourishing Central Desert art movement of the 1970’s and 1980’s. Thus Shorty’s paintings are fresh, vigorous and new. His use of colour to paint and interpret his dreamings of Ngapa (Water), Watiyawarnu (Acacia), Yankirri (Emu) and Pamapardu (Flying Ant) is vital, yet upholding the Warlpiri tradition. This fledgling artist well in his 70’s is an active member of Warlukurlangu Co-operative. He lives at Yuendumu with his wife and artist Lady Nungarrayi Robertson.
His first solo exhibition in 2003 was met with great artistic acclaim.
