Artist / YANGI YANGI FOX


We don't currently have any works available by YANGI YANGI FOX

Yangi Yangi Fox (often referred to as Mrs Fox) was born in 1956 in Pukatja (Ernabella). As a young girl, she went to school at Ernabella Mission, and later moved to the cattle station near the Amata community.

During the homelands movement in the 1970s, she moved to Pipalyatjara to be closer to her traditional lands. Mrs Fox is a senior woman in the Pipalyatjara community and holds a position at the local health clinic. She is also an astute craftswoman and is an expert in punu (wood carving); she is a celebrated dancer and is heavily involved in culture and ceremony. Her two daughters, Renae and Tanisha, are both practising artists.

Mrs Fox has a meticulous way of dotting and composing a painting which reveals her unique aesthetic, especially in contrast to the other female artists. Her tightly dotted technique and formal compositions create an optical feast for the viewer her paintings waiver and radiate in simplistic elegance.



We don't currently have any works available by YANGI YANGI FOX

Yangi Yangi Fox (often referred to as Mrs Fox) was born in 1956 in Pukatja (Ernabella). As a young girl, she went to school at Ernabella Mission, and later moved to the cattle station near the Amata community.

During the homelands movement in the 1970s, she moved to Pipalyatjara to be closer to her traditional lands. Mrs Fox is a senior woman in the Pipalyatjara community and holds a position at the local health clinic. She is also an astute craftswoman and is an expert in punu (wood carving); she is a celebrated dancer and is heavily involved in culture and ceremony. Her two daughters, Renae and Tanisha, are both practising artists.

Mrs Fox has a meticulous way of dotting and composing a painting which reveals her unique aesthetic, especially in contrast to the other female artists. Her tightly dotted technique and formal compositions create an optical feast for the viewer her paintings waiver and radiate in simplistic elegance.




At ReDot Fine Art Gallery, we acknowledge all the Traditional Owners and Custodians of the lands of the artists we represent, both past, present, and emerging. We have profound respect for all Indigenous people, and we strive through a thoughtful and culturally sensitive curation process of their artwork to represent their “Tjurkupa” to our global audience.

We prioritise authentic representation and ensure that the artists' voices and perspectives remain at the forefront of our platform’s objective.

By fostering collaborative partnerships and engaging with community art centres directly, we aim to create a safe and inclusive space that celebrates and preserves Indigenous cultural heritage and its artistic legacy.

At ReDot Fine Art Gallery, we acknowledge all the Traditional Owners and Custodians of the lands of the artists we represent, both past, present, and emerging. We have profound respect for all Indigenous people, and we strive through a thoughtful and culturally sensitive curation process of their artwork to represent their “Tjurkupa” to our global audience.

We prioritise authentic representation and ensure that the artists' voices and perspectives remain at the forefront of our platform’s objective.

By fostering collaborative partnerships and engaging with community art centres directly, we aim to create a safe and inclusive space that celebrates and preserves Indigenous cultural heritage and its artistic legacy.