This painting depicts the country belonging to the artist’s parents, which is known as Jupurr. There is a cave with the jila (living water) inside and good yellow ochre found in the country. Paji Wajina Honeychild Yankarr used to camp here during the hot weathers and water can always be found.
This is jilji (sandhill) country. There are lots of trees with plenty of seeds to eat, which can be cooked in the coals and grinded. The two waterholes, Jupurr and Yirtil, are the main living waters, where Paji and her family walked around.
When the rain came, this water been fill’em-up...big water, like a lake. There was good drinking water there. Mother and father took us there, we were so tired, all of us. There was my brother and two sisters there too. Only me and my brother still alive...mother and father finished.
We dug out that waterhole when the bush tucker ran out, when there was lots of grass. My mother father and brother (he was a big boy) they went hunting & caught two big cattle...good feed.
This pain..ng is for a country called Kurntumarra jarra. This is a waterhole in the hills. There are also lots of wirrkuja there too. Wirrkuja is rockholes full of water after the rain. When this waterhole dries up there is still some water in the wirrkuja.
This is a wirrkuja (waterhole in rock which fills up after rain). We would drink water from here in the wet time. In the hot weather time we stayed near the jila (living waterhole). We only stayed in the rocky country for short time after the rain.
This is a wirrkuja. These are rockholes which fill up after rain. They have good cool water. Raining time we used to drink here. It gets dry in the cold months.
This country call Nurtu .There is ajila (living water hole) here. My mother and father used to live around this jila when I was a little girl. My parents used to go hunting for bush meats and yams and other foods, and I used to travel around with them.
There is water all around here after the wet. When the palma (small creeks) dry up, there is still good living water here. It is a good place to find bush foods. This place is a long way into the desert. It is on the Fitzroy Crossing side of the Canning Stock Route.
This is a wirrkuja (waterhole in rock which fills up after rain). We would drink water from here in the wet time. In the hot weather time we stayed near the jila (living waterhole). We only stayed in the rocky country for short time after the rain.
This is my country called Mukurrurtu. This is desert country. There are big high jilji (sandhills). We call them pilyurr pilyurr.
This is high jilji (sandhill) country. After the rain the water lies between the jilji. The jilji are very high here. You cannot see over them.
This is high jilji (sandhill) country. After the rain the water lies between the jilji. The jilji are very high here. You cannot see over them.
At ReDot Fine Art Gallery, we acknowledge all the Traditional Owners and Custodians of the lands of the artists we represent, both past, present, and emerging. We have profound respect for all Indigenous people, and we strive through a thoughtful and culturally sensitive curation process of their artwork to represent their โTjurkupaโ to our global audience.
We prioritise authentic representation and ensure that the artists' voices and perspectives remain at the forefront of our platformโs objective.
By fostering collaborative partnerships and engaging with community art centres directly, we aim to create a safe and inclusive space that celebrates and preserves Indigenous cultural heritage and its artistic legacy.
At ReDot Fine Art Gallery, we acknowledge all the Traditional Owners and Custodians of the lands of the artists we represent, both past, present, and emerging. We have profound respect for all Indigenous people, and we strive through a thoughtful and culturally sensitive curation process of their artwork to represent their โTjurkupaโ to our global audience.
We prioritise authentic representation and ensure that the artists' voices and perspectives remain at the forefront of our platformโs objective.
By fostering collaborative partnerships and engaging with community art centres directly, we aim to create a safe and inclusive space that celebrates and preserves Indigenous cultural heritage and its artistic legacy.