TH_201607013
Oil on Canvas
145 x 135cm | 57.09 x 53.15in
Miscellaneous Artists
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TH_201607014
Oil on Canvas
145 x 135cm | 57.09 x 53.15in
Miscellaneous Artists
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TH_201604009
Oil on Board
153 x 122cm | 60.24 x 48.03in
Miscellaneous Artists
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TH_201606012
Oil on Board
136 x 122cm | 53.54 x 48.03in
Miscellaneous Artists
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TH_201604005
Oil on Board
136 x 122cm | 53.54 x 48.03in
Miscellaneous Artists
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TH_201604007
Oil on Board
122 x 107cm | 48.03 x 42.13in
Miscellaneous Artists
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TH_201604008
Oil on Board
122 x 107cm | 48.03 x 42.13in
Miscellaneous Artists
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TH_201607017
Oil on Board
70 x 60cm | 27.56 x 23.62in
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TH_201607015
Oil on Board
50 x 50cm | 19.69 x 19.69in
Miscellaneous Artists
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Todd Hunter was born in 1972. He has been a practicing artist since 1991, with his first solo exhibition in 1994, having studied art history and trained at the Julian Ashton Art School in Sydney after completing a visual arts degree at Griffith University in Brisbane.
Todd Hunter is an alchemist of form. Neither strictly speaking a figurative or abstract artist, he takes the colours and shapes of the natural world and pushes them through the blender of his fecund imagination. In many ways it is a ruse; we see a landscape or a figure even though he actively avoids the literal rendering of tree and sky, or sometimes the human form, but they are clearly, vividly there.
His work features in private collections throughout Asia, Europe, Australia, USA and South America, as well as corporate, consular and national collections in Australia and he has had several successful nominations to major Australian art prizes.
Todd Hunter was born in 1972. He has been a practicing artist since 1991, with his first solo exhibition in 1994, having studied art history and trained at the Julian Ashton Art School in Sydney after completing a visual arts degree at Griffith University in Brisbane.
Todd Hunter is an alchemist of form. Neither strictly speaking a figurative or abstract artist, he takes the colours and shapes of the natural world and pushes them through the blender of his fecund imagination. In many ways it is a ruse; we see a landscape or a figure even though he actively avoids the literal rendering of tree and sky, or sometimes the human form, but they are clearly, vividly there.
His work features in private collections throughout Asia, Europe, Australia, USA and South America, as well as corporate, consular and national collections in Australia and he has had several successful nominations to major Australian art prizes.