Printed and collaged in an edition of 30 (plus proofs) by APW Printers Martin King and Simon White at Australian Print Workshop, Melbourne, 2016.
Image created by the Artist with collaged elements hand coloured and cut by the Artist and studio assistants Trent Walter and Jaime Powell.
This work was produced as part of Australian Print Workshop’s ANTIPODES project.
Printed, hand coloured and collaged in an edition of 30 (plus proofs) by APW Printers Martin King and Simon White at Australian Print Workshop, Melbourne, 2016.
Image created by the Artist with collaged elements hand coloured and cut by the Artist and studio assistants Trent Walter and Jaime Powell.
This work was produced as part of Australian Print Workshop’s ANTIPODES project.
Printed, hand coloured and collaged in an edition of 30 (plus proofs) by APW Printers Martin King, Simon White and Chris Ingham at Australian Print Workshop, Melbourne, 2016.
Image created by the Artist with collaged elements hand coloured and cut by the Artist and studio assistants Trent Walter and Jaime Powell.
This work was produced as part of Australian Print Workshop’s ANTIPODES project.
Printed, hand coloured and collaged in an edition of 30 (plus proofs) by APW Printers Martin King, Simon White and Chris Ingham at Australian Print Workshop, Melbourne, 2016.
Image created by the Artist with collaged elements hand coloured and cut by the Artist and studio assistants Trent Walter and Jaime Powell.
This work was produced as part of Australian Print Workshop’s ANTIPODES project.
Printed and collaged in an edition of 30 (plus proofs) by APW Senior Printer Martin King and APW Printer Simon White at Australian Print Workshop, Melbourne, 2016.
Image created by the Artist with collaged elements hand coloured and cut by the Artist and studio assistants Trent Walter and Jaime Powell.
This work was produced as part of Australian Print Workshop’s ANTIPODES project.
Printed and collaged in an edition of 30 (plus proofs) by APW Senior Printer Martin King and APW Printer Simon White and APW Workshop Assistant Chris Ingham at Australian Print Workshop, Melbourne, 2016.
Image created by the Artist with collaged elements hand coloured and cut by the Artist and studio assistants Trent Walter and Jaime Powell.
This work was produced as part of Australian Print Workshop’s ANTIPODES project.
Image created by the Artist and printed, cut and collaged in an edition of 12 (plus proofs) by APW Senior Printer Martin King and APW Printer Simon White at Australian Print Workshop, Melbourne, 2016.
This work was produced as part of Australian Print Workshop’s ANTIPODES project.
Based on collages made during an ISCP residency in New York City in 2009, Brook Andrew’s The Right to Offend is Sacred revisits, and extends upon, the artist’s extensive print series Danger of Authority.
Based on collages made during an ISCP residency in New York City in 2009, Brook Andrew’s The Right to Offend is Sacred revisits, and extends upon, the artist’s extensive print series Danger of Authority.
Based on collages made during an ISCP residency in New York City in 2009, Brook Andrew’s The Right to Offend is Sacred revisits, and extends upon, the artist’s extensive print series Danger of Authority.
Image created by the Artist and printed, cut and collaged in an edition of 9 (plus proofs) by APW Senior Printer Martin King and APW Printer Simon White at Australian Print Workshop, Melbourne, 2016.
This work was produced as part of Australian Print Workshop’s ANTIPODES project.
At ReDot Fine Art Gallery, we acknowledge all the Traditional Owners and Custodians of the lands of the artists we represent, both past, present, and emerging. We have profound respect for all Indigenous people, and we strive through a thoughtful and culturally sensitive curation process of their artwork to represent their โTjurkupaโ to our global audience.
We prioritise authentic representation and ensure that the artists' voices and perspectives remain at the forefront of our platformโs objective.
By fostering collaborative partnerships and engaging with community art centres directly, we aim to create a safe and inclusive space that celebrates and preserves Indigenous cultural heritage and its artistic legacy.
At ReDot Fine Art Gallery, we acknowledge all the Traditional Owners and Custodians of the lands of the artists we represent, both past, present, and emerging. We have profound respect for all Indigenous people, and we strive through a thoughtful and culturally sensitive curation process of their artwork to represent their โTjurkupaโ to our global audience.
We prioritise authentic representation and ensure that the artists' voices and perspectives remain at the forefront of our platformโs objective.
By fostering collaborative partnerships and engaging with community art centres directly, we aim to create a safe and inclusive space that celebrates and preserves Indigenous cultural heritage and its artistic legacy.